The kiln of the tube kiln stores mud and fire. In the kiln songs and chants that have been sung from generation to generation, one side of water is used to support one side of people, and it has become a legend of Chutao. On this land, kiln workers, dragon kilns, firewood, dexterous hands play with water and mud, and in the fire, utensils that are indispensable for drinking water grow.
The tradition accumulated over time spreads on this land, let the still burning fire, the factory building abandoned in desperation, and the abandoned warehouse tell the eternity of all things born on the earth.
Therefore, the artist entered the stage, and in paying tribute to the tradition of this place, through the works distributed in the natural space, the growth power of the earth here can be seen, magnified, moved, and through dialogue with the audience, inherit the past and continue in the past. future.
Adhering to a deep understanding of the land here, the artist took the initiative to use lighting, color, physical materials, as well as local old and new pottery, and various buildings to create eleven works in the first phase, and place them in a dialogue with the works. Reasonable natural space, thus forming this unique "Land Art Festival".
Different from art exhibitions in cities, the "Earth Art Festival" is based on the all-encompassing earth, and creates a brand-new art museum without a roof in the mutual gaze of people, works and nature.
When the torch of that majestic chimney is lit, the so-called "passing the torch from generation to generation" is a lofty tribute to "mud and fire lead to all things"!
Theoretically, lightcan extend infinitely, as long as it has enough energy, it can travel anywhere and bring transitions to the places it passes. The only thing that can compare with this is the human imagination. We condense our imagination into a ring, and take this land's longing for the sky to shine into the distance.