唐骁 TangXiao

策展人：孙晓枫

参展艺术家（按姓氏拼音排序）：
陈现军、邓洧、方凯、何天泉、黄少鹏、李继开、栾雪雁、马轲、唐骁、王强、徐钢、徐文涛、杨鹏、赵飞

绘画既是命名也是结果，绘画即是目的本身。图像与经验在绘画行动中被解构与重组，绘画行为的终止可以看做是一种权宜之计，构建了一个可以讨论的现实并保留了主题之外的开阔空间，技术、心理、主题、肌理、材料等层面都可以作为讨论话题。“媒介即是观念”的观点根植于当代艺术现场之中。媒介及媒介价值的冲突已然不可避免，绘画面对挑战开始寻找安身保全的策略，与其他媒介的协商及异质化呈现形式的参与介入使绘画出让了部分的主体身份，但远远没有达到预想的诉求。绘画内在地保留了身体介入的诸种痕迹，保留了图像再造的修辞话语与技术，是实践想象力、批判力及创造力的有效方式之一。本次邀请的十四位艺术家，他们的绘画实践创造了一个多维的、个人化的语法空间，差异化的工作方向印证了绘画自身的活力以及应对未来的开放态度。

Curator: Sun Xiaofeng

Participating artists (in alphabetical order by surname):

Chen Xianjun, Deng Wei, Fang Kai, He Tianquan, Huang Shaopeng, Li Jikai, Luan Xueyan, Ma Ke, Tang Xiao, Wang Qiang, Xu Gang, Xu Wentao, Yang Peng, Zhao Fei

Painting is both naming and result, painting is the purpose itself. Images and experiences are deconstructed and reorganized in the act of painting. The termination of the act of painting can be regarded as an expedient measure, constructing a reality that can be discussed and retaining an open space beyond the theme. Technology, psychology, theme, texture , materials and other aspects can be used as discussion topics. The viewpoint of "the medium is the concept" is rooted in the contemporary art scene. The conflict between media and media values is inevitable. Faced with the challenge, painting began to find a strategy to protect itself. Negotiations with other media and the participation of heterogeneous forms of presentation have allowed painting to give up part of its subject identity, but it is far from reaching expectations. demands. Painting inherently retains various traces of body intervention, as well as the rhetorical discourse and techniques of image reconstruction, and is one of the effective ways to practice imagination, criticism and creativity. The fourteen artists invited this time, their painting practice has created a multi-dimensional and personalized grammatical space, and their differentiated work direction confirms the vitality of painting itself and its open attitude to the future.